February 18, 2025

74 thoughts on “Michael Kors Bags For Women Are a Favorite Among Fashion Lovers Everywhere

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  37. It can be source of frustration for any family, large or small over the festive period – all of the ‘good’
    Quality Street chocolates disappear quickly, leaving the unwanted ones left in the tin for days on end.

    However, this year, the Quality Street conundrum could
    become a thing of the past, with John Lewis teaming up with Nestlé to allow shoppers to make their own tin with the chocolates they actually like.

    The pic ‘n’ mix system will be available in 11 John Lewis Stores, including its flagship Oxford Street
    one.

    Quality Street: John Lewis has teamed up with the iconic chocolate brand
    to launch pick ‘n’ mix – although you can’t fill it all with the same flavour as outlined above

    They will cost £12 for a 1.2kg tin and for an extra £3 in the Oxford
    Street store, you can customise it with a name, swapping the
    ‘Quality’ out for something else.

    John Lewis hasn’t revealed the other 10 locations, but the tins will be available from September.

    There is a catch. You cannot fill the tin with just one single style – there needs to be
    at least four of the 13 flavours.

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    The 13 Quality Street varieties are:

    – Caramel Swirl (yellow foil wrapper)

    – Chocolate Toffee Finger (gold)

    – Coconut Eclair (blue)

    – Fudge (pink)

    – Green Triangle: Hazelnut noisette (green foil)

    – Honeycomb Crunch (golden brown)

    – Milk Choc Block (green)

    – Orange Creme (orange)

    – Orange Crunch (orange foil)

    – Purple One: Milk chocolate filled with hazelnut and caramel (purple) 

    – Strawberry Delight (red) 

    – Toffee Penny (gold foil)

    – Toffee Deluxe (brown)

    John Lewis: The service will be available in 11 stores
    – including its John Lewis flagship

    A spokesman told This is Money: ‘From September, John Lewis will
    partner with iconic confectioners Quality Street to offer customers bespoke tins of their favourite sweets.

    ‘John Lewis Oxford Street will be home to an exclusive personalisation station, giving customers the
    chance to personalise the street name their tin, as well as pick and mix their own flavour
    combinations – a high street first for Quality Street.

    ‘The Quality Street pick and mix will also be available in selected
    other John Lewis shops across the country, where customers will be able to choose their
    favourite chocolates pick and mix style to fill an exclusive collector’s edition tin that’s only
    available at John Lewis.’

    The news seemed to go down well on Twitter, with one user saying: ‘This is
    what we’ve all been waiting for.’ 

    Below, consumer journalist Harry Wallop reveals what the pick ‘n’ mix Quality Street tin service will
    look like. 

    This, however, is genius. @johnlewisretail has teamed up with @QualityStreetUK.
    For £12 you can pick and mix your own 1.2kg tin, and chose which sweets.
    Hate the strawberry cream? You can ditch it. Want loads of purple ones?
    No prob pic.twitter.com/Wa48rnuFtc

    — Harry Wallop (@hwallop) 12 July 2018

    Nestlé cut the standard tin from 1kg to 820g while keeping the price at
    £5 in 2012. Two years later, buyers got just 780g (wrapped weight) for £5.

    Buying two of the 780g tins would cost £10 and give you nearly
    1.6kg of the sweets, compared to this £12 1.2kg version. 

     

  38. Joker: Folie À Deux (15, 138 mins)
    Verdict: Bold, brilliant sequel 

    Rating:

    A Different Man (15, 112 mins)
    Verdict: A touching satire  

    Rating:

    Venice, a city long associated with masks and masquerades, was the perfect
    place to unveil Joker five years ago; and last month, at the venerable film festival there,
    it was followed by the sequel, Joker: Folie À Deux.

    The director is again Todd Phillips, with Joaquin Phoenix once more in the title role,
    this time joined by Lady Gaga as what I suppose we
    must call the love interest, although that
    would undervalue her wonderful performance.

    We’ve known since A Star Is Born in 2018 that she can act,
    but she really is terrific in a bad-girl role. They’d have loved her at St Trinian’s.

    This film is audaciously different in style from the original, not
    as electrifying, but bold and brilliant all the same.

    Arthur is now behind bars, waiting to see whether he will be judged sane enough to stand trial for
    murder, and in the meantime enjoying his celebrity status with fellow
    prisoners and even the warders, one of whom, a sadistic Irishman played
    by Brendan Gleeson, feeds him cigarettes in return for jokes.

    Joaquin Phoenix and Lady Gaga in sequel Joker: Folie À Deux

    Joaquin Phoenix in Joker: Folie a Deux – an American musical psychological thriller film directed by Todd
    Phillips

    Joaquin Phoenix reprises his role as the Joker, with
    Lady Gaga joining the cast as his love interest,
    Harley Quinn

    Lady Gaga plays Lee, a fellow inmate on her way, we suppose, to becoming
    Joker’s girlfriend Harley Quinn. The pair hit it off at a music therapy class,
    and are soon mutually smitten, but Lee makes it clear that she loves
    the dangerously charismatic Joker, ‘clown prince of crime’,
    not the gloomily introspective Arthur.

    Read More

    Megalopolis review: Coppola’s self-indulgent comeback may be a MEGAFLOPOLIS

    Which is more real: the psychopath wearing the mask or the vulnerable fellow behind it?
    Either way, identity confusion is the theme of this film, which keeps being billed as a musical. 

    It’s not, really, although music looms large as
    an expression of Arthur and Lee’s burgeoning love for one another.
    And there are a couple of swooning dance routines that make them look like
    psychotic versions of Ryan Gosling and Emma Stone
    in La La Land (2016).

    Moreover, it is while watching Vincente Minnelli’s 1953 classic The Band Wagon that
    Lee, who claims to have been imprisoned for arson, sets fire to their prison wing.

    The ensuing chaos provides an excellent opportunity to
    escape, yet Phillips and his co-writer Scott
    Silver skilfully toy with our expectations throughout; each time we anticipate which way the
    narrative is going to go, it confounds us
    by wheeling off in another direction.

    Joaquin Phoenix in Joker: Folie a Deux – an American musical psychological thriller film directed by Todd Phillips

    For me, Joker was a near-masterpiece, and while this sequel doesn’t scale
    those heady heights, it is still a gripping film about mental illness,
    writes Brian Viner 

    Eventually, after Arthur’s high-profile TV appearance
    with a smug interviewer played by Steve Coogan, it is time for the trial, with
    all of Gotham gripped by the subject of multiple personality disorder.
    Is the defendant accused of five murders Arthur, or is it Joker?
    His kindly lawyer (Catherine Keener) strives to show it
    is the former; Lee just as urgently wants him to identify as his demonic alter ego.

    Read More

    His Three Daughters review: Savour this exquisite elegy to death and sisterhood,
    writes BRIAN VINER

    For me, Joker was a near-masterpiece, and while this sequel doesn’t
    scale those heady heights, it is still a gripping film about mental illness; not quite comparable with all-time greats such as
    Psycho (1960) and One Flew Over The Cuckoo’s Nest (1975), but not too far off.

    – Joker’s Gotham, of course, is a lightly fictionalised version of New York City.
    The real thing is the backdrop to A Different Man, another absorbing story, splendidly written and directed by Aaron Schimberg, about an urban loner
    struggling with life.

    In the case of the troubled, self-conscious Edward (Sebastian Stan), an aspiring
    actor, that’s apparently because he has a disfiguring craniofacial condition. Instructional corporate videos seem to be about as far as he can get in the acting world.

    There are obvious echoes of The Elephant Man (1980), and
    for that matter of recent release The Substance,
    in which Demi Moore’s character, a former movie star ‘disfigured’ by a
    few wrinkles, finds a way of transforming into her own younger self.

    A still from the film A Different Man directed by Aaron Schimberg

    Here, Edward is told by a doctor that ‘an alternative path has presented itself’.
    In other words, medical science has found a way to reverse his
    condition, turning him into a perfectly attractive middle-aged man.

    But Schimberg’s point, made with great satirical swagger, is that Edward, despite his radical change
    in appearance, is still the same person underneath that he
    always was.

    In his former condition he was befriended by his pretty, charismatic neighbour, Ingrid (Renate Reinsve), a playwright.
    Now he is able to fall into bed with her, and to star in a play she has written about their relationship, little
    though she knows of his real identity.

    I was even reminded of Tootsie (1982) and Mrs Doubtfire (1993) as
    Edward’s new persona fundamentally fails to alter who he actually is.
    This is illuminated by the arrival of Oswald, an Englishman with the same condition Edward once had,
    but popular, witty, confident, and gloriously played by Adam Pearson (who really does suffer
    from a disfiguring condition called neurofibromatosis).

    Pearson is probably best-known for his debut film, Jonathan Glazer’s
    brilliant Under The Skin (2013). Which is apt, because this picture, too, is about what’s under the
    skin.

    -A longer review of Joker: Folie À Deux ran a month ago.
    Both films are in cinemas now.

     

    Paul Weller’s film debut? That’s entertainment!
    The 68th London Film Festival opens next week with the world premiere of Blitz,
    director Steve McQueen’s drama set in London as the Luftwaffe’s bombs rain down night after night.

    Saoirse Ronan, for my money one of the most talented actresses of her generation, plays Rita,
    an East End mum whose son George (Elliott Heffernan) goes missing.
    It sounds intriguing even without the casting of
    The Jam’s former front man Paul Weller — in his feature film debut — as Rita’s father.

    I’m also very much looking forward to another world premiere, Joy, the story of
    the three brilliant British medical pioneers whose work on IVF led to the
    world’s first ‘test-tube’ baby, Louise Brown, in 1978.

    Saoirse Ronan, Elliott Heffernan and Paul
    Weller in the film ‘Blitz’

    It is directed by Ben Taylor, best-known for his TV
    work on shows such as Sex Education and Catastrophe, and stars Bill Nighy, James Norton and Thomasin McKenzie.

    I have heard great things about Conclave, the adaptation of Robert Harris’s novel starring
    Ralph Fiennes and Stanley Tucci. A couple of new documentaries
    catch the eye, too. One of them is made by actress Sadie Frost, whose directing debut was a film
    about Mary Quant. This time she turns to another fashion icon of the 1960s,
    with a feature called Twiggy.

    And Elton John: Never Too Late promises a ‘uniquely intimate’ look at
    the star’s life and career. It’s been made by his long-time partner David Furnish,
    so… we’ll see.

    For more details, visit bfi.org.uk/lff.

    Lady GagaSebastian StanSaoirse Ronan

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