A Michael Kors bag is the perfect accessory to add a touch of glamour to your wardrobe. Whether you’re shopping for a shoulder bag, satchel bag or cross-body bag, these Michael Kors bags will definitely make you stand out from the crowd. With an impressive collection of bags that are crafted with much glitz and glam, it’s no wonder why these Michael Kors bags for women are a favorite among fashion lovers everywhere.
The Michael Kors brand was started by Michael Kors in 1981, and he had been interested in fashion since his teenage years. He began by designing and selling clothing from his basement in Long Island, NY, before moving to New York City and attending The Fashion Institute of Technology. He dropped out of FIT nine months later and worked at a boutique called Lothar’s, just opposite Bergdorf Goodman, as the designer and visual display head. He soon became popular for his glamourous yet comfortable sportswear, and in 1984, his first womenswear collection debuted at the department store.
Despite being a mass-market label, Michael Kors is known for its use of high-quality materials, and the brand has a number of luxury-looking purses and wallets that are easily recognizable by their name or logo on the front of the bag. The Chicago Tribune reports that most Michael Kors pieces feature a large MK logo or the designer’s signature keyring, and they are usually adorned with branded lining and leather trim. Prices for bags by this designer can range from around $150 for small leather goods to up to $1,610 for limited edition bags.
Michael Kors has also been accused of copying some of the designs of other luxury brands, including a similar look for their Mercer tote bag that looks like the Louis Vuitton Capucines and Neverfull bags. However, these bags are often sold at a fraction of the price of the originals and are still extremely well-crafted.
The brand’s diffusion line, MICHAEL Michael Kors, is a bit more relaxed in its aesthetic than the uptown main collection, and many of the designs have become cult favorites due to their soft leathers and New York-inspired charm. The MICHAEL Michael Kors Jet Set Travel Tote, which features gold-tone MK logo medallion and smooth pebbled leather, is a classic example of this.
While many people love the look of michael kors bags, it’s important to keep in mind that these are not made by highly trained craftsmen, unlike some of the luxury brands such as Chanel and Louis Vuitton that have their own factories in Italy or France to ensure the quality of their products. In addition, these bags are often manufactured in other countries where the labor is less expensive than it would be in Italy or France. As a result, many of these bags are not quite as high-quality as some other luxury items on the market. This is a reason why some people choose to buy michael kors clearance rather than paying full price for the same item. michael kors bags for women
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It can be source of frustration for any family, large or small over the festive period – all of the ‘good’
Quality Street chocolates disappear quickly, leaving the unwanted ones left in the tin for days on end.
However, this year, the Quality Street conundrum could
become a thing of the past, with John Lewis teaming up with Nestlé to allow shoppers to make their own tin with the chocolates they actually like.
The pic ‘n’ mix system will be available in 11 John Lewis Stores, including its flagship Oxford Street
one.
Quality Street: John Lewis has teamed up with the iconic chocolate brand
to launch pick ‘n’ mix – although you can’t fill it all with the same flavour as outlined above
They will cost £12 for a 1.2kg tin and for an extra £3 in the Oxford
Street store, you can customise it with a name, swapping the
‘Quality’ out for something else.
John Lewis hasn’t revealed the other 10 locations, but the tins will be available from September.
There is a catch. You cannot fill the tin with just one single style – there needs to be
at least four of the 13 flavours.
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The 13 Quality Street varieties are:
– Caramel Swirl (yellow foil wrapper)
– Chocolate Toffee Finger (gold)
– Coconut Eclair (blue)
– Fudge (pink)
– Green Triangle: Hazelnut noisette (green foil)
– Honeycomb Crunch (golden brown)
– Milk Choc Block (green)
– Orange Creme (orange)
– Orange Crunch (orange foil)
– Purple One: Milk chocolate filled with hazelnut and caramel (purple)
– Strawberry Delight (red)
– Toffee Penny (gold foil)
– Toffee Deluxe (brown)
John Lewis: The service will be available in 11 stores
– including its John Lewis flagship
A spokesman told This is Money: ‘From September, John Lewis will
partner with iconic confectioners Quality Street to offer customers bespoke tins of their favourite sweets.
‘John Lewis Oxford Street will be home to an exclusive personalisation station, giving customers the
chance to personalise the street name their tin, as well as pick and mix their own flavour
combinations – a high street first for Quality Street.
‘The Quality Street pick and mix will also be available in selected
other John Lewis shops across the country, where customers will be able to choose their
favourite chocolates pick and mix style to fill an exclusive collector’s edition tin that’s only
available at John Lewis.’
The news seemed to go down well on Twitter, with one user saying: ‘This is
what we’ve all been waiting for.’
Below, consumer journalist Harry Wallop reveals what the pick ‘n’ mix Quality Street tin service will
look like.
This, however, is genius. @johnlewisretail has teamed up with @QualityStreetUK.
For £12 you can pick and mix your own 1.2kg tin, and chose which sweets.
Hate the strawberry cream? You can ditch it. Want loads of purple ones?
No prob pic.twitter.com/Wa48rnuFtc
— Harry Wallop (@hwallop) 12 July 2018
Nestlé cut the standard tin from 1kg to 820g while keeping the price at
£5 in 2012. Two years later, buyers got just 780g (wrapped weight) for £5.
Buying two of the 780g tins would cost £10 and give you nearly
1.6kg of the sweets, compared to this £12 1.2kg version.
Joker: Folie À Deux (15, 138 mins)
Verdict: Bold, brilliant sequel
Rating:
A Different Man (15, 112 mins)
Verdict: A touching satire
Rating:
Venice, a city long associated with masks and masquerades, was the perfect
place to unveil Joker five years ago; and last month, at the venerable film festival there,
it was followed by the sequel, Joker: Folie À Deux.
The director is again Todd Phillips, with Joaquin Phoenix once more in the title role,
this time joined by Lady Gaga as what I suppose we
must call the love interest, although that
would undervalue her wonderful performance.
We’ve known since A Star Is Born in 2018 that she can act,
but she really is terrific in a bad-girl role. They’d have loved her at St Trinian’s.
This film is audaciously different in style from the original, not
as electrifying, but bold and brilliant all the same.
Arthur is now behind bars, waiting to see whether he will be judged sane enough to stand trial for
murder, and in the meantime enjoying his celebrity status with fellow
prisoners and even the warders, one of whom, a sadistic Irishman played
by Brendan Gleeson, feeds him cigarettes in return for jokes.
Joaquin Phoenix and Lady Gaga in sequel Joker: Folie À Deux
Joaquin Phoenix in Joker: Folie a Deux – an American musical psychological thriller film directed by Todd
Phillips
Joaquin Phoenix reprises his role as the Joker, with
Lady Gaga joining the cast as his love interest,
Harley Quinn
Lady Gaga plays Lee, a fellow inmate on her way, we suppose, to becoming
Joker’s girlfriend Harley Quinn. The pair hit it off at a music therapy class,
and are soon mutually smitten, but Lee makes it clear that she loves
the dangerously charismatic Joker, ‘clown prince of crime’,
not the gloomily introspective Arthur.
Read More
Megalopolis review: Coppola’s self-indulgent comeback may be a MEGAFLOPOLIS
Which is more real: the psychopath wearing the mask or the vulnerable fellow behind it?
Either way, identity confusion is the theme of this film, which keeps being billed as a musical.
It’s not, really, although music looms large as
an expression of Arthur and Lee’s burgeoning love for one another.
And there are a couple of swooning dance routines that make them look like
psychotic versions of Ryan Gosling and Emma Stone
in La La Land (2016).
Moreover, it is while watching Vincente Minnelli’s 1953 classic The Band Wagon that
Lee, who claims to have been imprisoned for arson, sets fire to their prison wing.
The ensuing chaos provides an excellent opportunity to
escape, yet Phillips and his co-writer Scott
Silver skilfully toy with our expectations throughout; each time we anticipate which way the
narrative is going to go, it confounds us
by wheeling off in another direction.
Joaquin Phoenix in Joker: Folie a Deux – an American musical psychological thriller film directed by Todd Phillips
For me, Joker was a near-masterpiece, and while this sequel doesn’t scale
those heady heights, it is still a gripping film about mental illness,
writes Brian Viner
Eventually, after Arthur’s high-profile TV appearance
with a smug interviewer played by Steve Coogan, it is time for the trial, with
all of Gotham gripped by the subject of multiple personality disorder.
Is the defendant accused of five murders Arthur, or is it Joker?
His kindly lawyer (Catherine Keener) strives to show it
is the former; Lee just as urgently wants him to identify as his demonic alter ego.
Read More
His Three Daughters review: Savour this exquisite elegy to death and sisterhood,
writes BRIAN VINER
For me, Joker was a near-masterpiece, and while this sequel doesn’t
scale those heady heights, it is still a gripping film about mental illness; not quite comparable with all-time greats such as
Psycho (1960) and One Flew Over The Cuckoo’s Nest (1975), but not too far off.
– Joker’s Gotham, of course, is a lightly fictionalised version of New York City.
The real thing is the backdrop to A Different Man, another absorbing story, splendidly written and directed by Aaron Schimberg, about an urban loner
struggling with life.
In the case of the troubled, self-conscious Edward (Sebastian Stan), an aspiring
actor, that’s apparently because he has a disfiguring craniofacial condition. Instructional corporate videos seem to be about as far as he can get in the acting world.
There are obvious echoes of The Elephant Man (1980), and
for that matter of recent release The Substance,
in which Demi Moore’s character, a former movie star ‘disfigured’ by a
few wrinkles, finds a way of transforming into her own younger self.
A still from the film A Different Man directed by Aaron Schimberg
Here, Edward is told by a doctor that ‘an alternative path has presented itself’.
In other words, medical science has found a way to reverse his
condition, turning him into a perfectly attractive middle-aged man.
But Schimberg’s point, made with great satirical swagger, is that Edward, despite his radical change
in appearance, is still the same person underneath that he
always was.
In his former condition he was befriended by his pretty, charismatic neighbour, Ingrid (Renate Reinsve), a playwright.
Now he is able to fall into bed with her, and to star in a play she has written about their relationship, little
though she knows of his real identity.
I was even reminded of Tootsie (1982) and Mrs Doubtfire (1993) as
Edward’s new persona fundamentally fails to alter who he actually is.
This is illuminated by the arrival of Oswald, an Englishman with the same condition Edward once had,
but popular, witty, confident, and gloriously played by Adam Pearson (who really does suffer
from a disfiguring condition called neurofibromatosis).
Pearson is probably best-known for his debut film, Jonathan Glazer’s
brilliant Under The Skin (2013). Which is apt, because this picture, too, is about what’s under the
skin.
-A longer review of Joker: Folie À Deux ran a month ago.
Both films are in cinemas now.
Paul Weller’s film debut? That’s entertainment!
The 68th London Film Festival opens next week with the world premiere of Blitz,
director Steve McQueen’s drama set in London as the Luftwaffe’s bombs rain down night after night.
Saoirse Ronan, for my money one of the most talented actresses of her generation, plays Rita,
an East End mum whose son George (Elliott Heffernan) goes missing.
It sounds intriguing even without the casting of
The Jam’s former front man Paul Weller — in his feature film debut — as Rita’s father.
I’m also very much looking forward to another world premiere, Joy, the story of
the three brilliant British medical pioneers whose work on IVF led to the
world’s first ‘test-tube’ baby, Louise Brown, in 1978.
Saoirse Ronan, Elliott Heffernan and Paul
Weller in the film ‘Blitz’
It is directed by Ben Taylor, best-known for his TV
work on shows such as Sex Education and Catastrophe, and stars Bill Nighy, James Norton and Thomasin McKenzie.
I have heard great things about Conclave, the adaptation of Robert Harris’s novel starring
Ralph Fiennes and Stanley Tucci. A couple of new documentaries
catch the eye, too. One of them is made by actress Sadie Frost, whose directing debut was a film
about Mary Quant. This time she turns to another fashion icon of the 1960s,
with a feature called Twiggy.
And Elton John: Never Too Late promises a ‘uniquely intimate’ look at
the star’s life and career. It’s been made by his long-time partner David Furnish,
so… we’ll see.
For more details, visit bfi.org.uk/lff.
Lady GagaSebastian StanSaoirse Ronan
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